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From particle accelerators to postmodern art spaces, our professors are in the field, discovering, dissecting, and drawing new conclusions. 

Faculty Spotlight

  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/292-susan-j-behrens"><img src="/live/image/gid/111/width/120/height/120/crop/1/src_region/0,343,1365,1708/12402_sue_b_photo_6.rev.1457019504.jpg" alt="Susan J Behrens" title="Susan J Behrens" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/111/width/120/height/120/crop/1/src_region/0,343,1365,1708/12402_sue_b_photo_6.rev.1457019504.jpg 2x, /live/image/scale/3x/gid/111/width/120/height/120/crop/1/src_region/0,343,1365,1708/12402_sue_b_photo_6.rev.1457019504.jpg 3x" data-max-w="1365" data-max-h="2048"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/292-susan-j-behrens">Susan J Behrens</a></div><div class="lw_profiles_13"><p><strong>Books:</strong></p><p><em>Grammar: A Pocket Guide</em>. 2010. Routledge</p><p><em>Language in the Real World: An Introduction to Linguistics.</em> 2010. Co-edited with Judith A. Parker, Routledge.</p><p><em>Understanding Language Use in the Classroom: A Linguistic Guide for College Educators. </em>2014. Multilingual Matters.</p><p><em>Understanding Language Use in the Classroom: Including Teaching Materials for College Educators</em>. 2018. Multilingual Matters.</p><p>  </p><p><strong>Film:</strong></p><p><em>The Three Rs: Representation of Language in College, Reality of Language, and Realignment of Expectations.</em> Director and Producer: Plaster Bear Productions.</p><p><strong> </strong></p><p><strong>Articles and Reviews:</strong></p><p> Behrens, S.J. 2018. Spring Garden. A review. <em>Names, A Journal of Onomastics.</em></p><p>  </p><p> Behrens, S.J. 2017. Review of “Name Therapist,” by Duana Taha. A review. <em>Names, A Journal of</em></p><p><em>Onomastics.</em></p><p>  </p><p> Behrens, S.J. et al. 2016. I know it when I see it: Uncovering college student-</p><p> educator expectations about academic writing. <em>Writing & Pedagogy.</em></p><p>  </p><p> Behrens, S.J. 2014. English Pronouns Revealed: A Meta-discussion of the English Pronoun</p><p> System<em>. Research and Teaching in Developmental Education 30</em> (2), 91-95<em>.</em></p><p>  </p><p> Behrens, S.J. December 2013. A Note on “The Bell Jar” (1963). <em>Names, A Journal of</em></p><p><em>Onomastics 61</em>(4),273-277.</p><p>  </p><p> Behrens, S.J. Summer 2013. Review of Teaching and Researching Language and</p><p> Culture, 2<sup>nd</sup> ed. 2012. Joan Hall Kelly. <em>Teaching American Speech</em><em>88</em> (2), 247-253.</p><p>  </p><p> Behrens, S.J. and Mercer, C. Fall 2011. Syntactic Boundaries and the Mechanics of</p><p> Academic Written English. <em>Research and Teaching in Developmental Education 28</em> (1), 50-56.</p><p>  </p><p> Behrens, S.J. and Mercer, C. Spring 2011. The Ambiguous Nature of Bilingualism and its</p><p> Ramifications for Writing Instruction. <em>NADE Digest</em><em>5</em> (2), 11-22.</p><p></p><p><strong> </strong></p><p> Behrens, S.J. Fall 2010. Using Naming Practices in the Developmental English Classroom.</p><p><em>Research and Teaching in Developmental Education 27</em> (1), 32-36<em>.</em></p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/92-alessandra-leri"><img src="/live/image/gid/108/width/120/height/120/crop/1/src_region/0,0,1232,1232/7813_img_1354.rev.1472490808.jpg" alt="Alessandra Leri" title="Alessandra Leri" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/108/width/120/height/120/crop/1/src_region/0,0,1232,1232/7813_img_1354.rev.1472490808.jpg 2x, /live/image/scale/3x/gid/108/width/120/height/120/crop/1/src_region/0,0,1232,1232/7813_img_1354.rev.1472490808.jpg 3x" data-max-w="1232" data-max-h="1649"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/92-alessandra-leri">Alessandra Leri</a></div><div class="lw_profiles_13"><ul><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri, M. Dunigan*, R. Wenrich*, and B. Ravel (2019). Particulate organohalogens in edible brown seaweeds. <em>Food Chemistry</em> 272, 126.</a></li><li><a href="*~hmac=552cb2b0b37a210b6cc70bcf6d80281119b232af8acba6b6b103d1354cda8055" target="_blank" rel="noopener noreferrer">A. Barber, J. Brandes, A. Leri, K. Lalonde, K. Balind, S. Wirick, J. Wang, Y. Gélinas (<strong>2017)</strong>. Preservation of organic matter in marine sediments by inner-sphere interactions with reactive iron. <em>Scientific Reports</em> 7, 366.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">P. Northrup, A. Leri, and R. Tappero (<strong>2016</strong>). Applications of “tender” energy (1-5 keV) X-ray absorption spectroscopy in life sciences. <em>Protein and Peptide Letters</em> 23, 300.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri and B. Ravel (<strong>2015</strong>). Abiotic bromination of soil organic matter. <em>Environmental Science and Technology </em>49, 13350.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri, L. Mayer, K. Thornton, P. Northrup, M. Dunigan*, K. Ness*, and A. Gellis* (<strong>2015</strong>). A marine sink for chlorine in natural organic matter. <em>Nature Geoscience</em> 8, 620.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri, L. Mayer, K. Thornton, and B. Ravel (<strong>2014</strong>). Bromination of marine particulate organic matter through oxidative mechanisms. <em>Geochimica et Cosmochimica Acta</em> 142, 53.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri and B. Ravel (<strong>2014</strong>). Sample thickness and quantitative concentration measurements in Br K-edge XANES spectroscopy of organic materials. <em>Journal of Synchrotron Radiation</em> 21, 623.</a></li><li><a href="" target="_blank" rel="noopener noreferrer">A. Leri and L. Anthony* (<strong>2013</strong>). Formation of organochlorine by-products in bleached laundry. <em>Chemosphere</em> 90, 2041.</a></li></ul><p style="text-align: left;"><em>* denotes MMC undergraduate co-author</em></p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/10-eileen-doherty"><img src="/live/image/gid/100/width/120/height/120/crop/1/src_region/360,368,1454,1462/16081_eileen_headshot_9.20.17.rev.1505960466.jpg" alt="Eileen Doherty" title="Eileen Doherty" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/100/width/120/height/120/crop/1/src_region/360,368,1454,1462/16081_eileen_headshot_9.20.17.rev.1505960466.jpg 2x, /live/image/scale/3x/gid/100/width/120/height/120/crop/1/src_region/360,368,1454,1462/16081_eileen_headshot_9.20.17.rev.1505960466.jpg 3x" data-max-w="1536" data-max-h="2048"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/10-eileen-doherty">Eileen Doherty</a></div><div class="lw_profiles_13"><p><strong>Publications<br/></strong></p><p> Wesselmann, E. D., Day, M., Graziano, W. G., & Doherty, E. F. (2015). Religious beliefs about mental illness influence social support preferences. <em>Journal of Prevention & Intervention in the Community, 43</em>(3), pp. 165-174.</p><p> Doherty, E. F., MacGeorge, E. L., Gillig, T., & Clare, S. E. (2015). Motivations, concerns, and experiences of women who donate normal breast tissue. <em>Cancer Epidemiology, Biomarkers, & Prevention, 24</em>, pp. 105-110.</p><p> Liberman, C. J., & Doherty, E. F. (2015). Social support and stress buffering during end-of-life communication: The role of messages in alleviating concerns when death is imminent. In M. Brann (Ed.), <em>Contemporary case studies in health communication: Theoretical and applied approaches</em> (2nd ed., pp. 189–201). Dubuque, IA: Kendall Hunt.</p><p> Doherty, E. F., & MacGeorge, E. L. (2014). Barriers impeding social support: The experiences of young adults with bipolar disorder. <em>Iowa Journal of Communication, 46</em>(1)<strong>,</strong> pp. 114-137.</p><p> Doherty, E. F., & MacGeorge, E. L. (2013). Perceptions of supportive behavior by young adults with bipolar disorder. <em>Qualitative Health Research, 23,</em> 361-374.</p><p> MacGeorge, E. L., Feng, B., Wilkum, K., Doherty, E. F. (2012). Supportive communication: A positive response to negative life events. In T. J. Socha & M. J. Pitts (Eds.), <em>The Positive Side of Interpersonal Communication</em>. New York, NY: Peter Lang.</p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/40-kevin-connell"><img src="/live/image/gid/95/width/120/height/120/crop/1/src_region/0,0,427,427/9370_facebook_day_of_shoot_copy.rev.1453903646.jpg" alt="Kevin Connell" title="Kevin Connell" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/95/width/120/height/120/crop/1/src_region/0,0,427,427/9370_facebook_day_of_shoot_copy.rev.1453903646.jpg 2x, /live/image/scale/3x/gid/95/width/120/height/120/crop/1/src_region/0,0,427,427/9370_facebook_day_of_shoot_copy.rev.1453903646.jpg 3x" data-max-w="427" data-max-h="640"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/40-kevin-connell">Kevin Connell</a></div><div class="lw_profiles_13"><p> Kevin served as the Period Style and Etiquette Coordinator for the 2012-2013 Broadway production of <em>The Heiress</em>.</p><p> He is co-adapting the stage version of Kathryn Harrison’s novel <em>Exposure</em> and his play <em>The Holy Terror </em>is published by Stage Voices Publishing (ASIN: B002VBWFFY).</p><p> He is Co-Founder/Artistic Director of Blueprint Theater Project ( </p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/76-carrie-ann-biondi"><img src="/live/image/gid/102/width/120/height/120/crop/1/src_region/95,464,1215,1584/13947_carrie-ann_biondi.rev.1475535569.jpg" alt="Carrie-Ann Biondi" title="Carrie-Ann Biondi" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/102/width/120/height/120/crop/1/src_region/95,464,1215,1584/13947_carrie-ann_biondi.rev.1475535569.jpg 2x, /live/image/scale/3x/gid/102/width/120/height/120/crop/1/src_region/95,464,1215,1584/13947_carrie-ann_biondi.rev.1475535569.jpg 3x" data-max-w="1365" data-max-h="2048"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/76-carrie-ann-biondi">Carrie-Ann Biondi</a></div><div class="lw_profiles_13"><p><strong>Recent Publications</strong></p><p>  “Legacy and Happiness in <em>Hamilton: An American Musical</em>,” in <em>Hamilton and Philosophy</em>, ed. Robert Arp and Aaron Rabinowitz (Chicago, IL: Open Court, 2017), pp. 75-83.</p><p> “Friendship and Excellence: Bringing Out the Best Within Us,” in <em>The Quest for Excellence: Selected Papers from the Seventeenth Annual Conference of the Association for Core Texts and Courses</em>, ed. Dustin Gish, Christopher Constas, and J. Scott Lee (Lanham, MD: Rowman & Littlefield, 2016), pp. 9-13.</p><p> “Un-Locke-ing <em>The Order of the Phoenix</em>,” in <em>Harry Potter for Nerds: Volume 2</em>, ed. Travis Prinzi and Kathryn McDaniel (Unlocking Press, 2015), pp. 229-49.</p><p> “Book Review of Tara Smith’s <em>Judicial Review in an Objective Legal System</em>,” <em>Reason Papers</em>, vol. 38, no. 1 (2016), pp. 182-89.</p><p> “Counter-Culture Capitalist,” in <em>Steve Jobs and Philosophy</em>, ed. Shawn Klein (Chicago, IL: Open Court, 2015), pp. 15-25. </p><p> “Keeping It Real: Book Review of Kurt Keefner’s <em>Killing Cool: Fantasy vs. Reality in American Life</em>,” <em>The New Romanticist</em>, September 1, 2015. </p><p><span style="text-decoration: underline;"><strong>Recent Presentations</strong></span></p><p> “A Comparative Analysis of Aristotle and Ayn Rand,” presented at the Association of Objectivist Businessmen (Milford, CT), April 1, 2017</p><p> “Mike Rowe and Ayn Rand: Somebody’s Gotta Do It,” presented at Queens Vocational and Technical High School (February 12, 2016), Long Island City, NY; and presented at the Center for Ethics and Entrepreneurship, Rockford University (April 2, 2015), Rockford, IL</p><p> “Designing Tests to Tap Higher-Order Thinking,” presented at a Pedagogy Wednesday Event at Marymount Manhattan College, sponsored by the Center for Teaching Innovation and Excellence (March 22, 2015), New York, NY</p><p> “Where There’s a Will, There’s a Way: Why Aristotle Doesn’t Really Believe in ‘Weakness of Will’,” presented at the American Association for the Philosophic Study of Society (AAPSS) Eastern Division Meeting of the American Philosophical Association panel on “Moral Reasoning” (Dec. 27, 2014), Philadelphia, PA</p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/372-jens-richard-giersdorf"><img src="/live/image/gid/96/width/120/height/120/crop/1/src_region/0,0,317,346/5007_jens_black_background.rev.1472489476.jpg" alt="Jens Richard Giersdorf" title="Jens Richard Giersdorf" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/96/width/120/height/120/crop/1/src_region/0,0,317,346/5007_jens_black_background.rev.1472489476.jpg 2x" data-max-w="317" data-max-h="346"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/372-jens-richard-giersdorf">Jens Richard Giersdorf</a></div><div class="lw_profiles_13"><p><strong>Books:</strong></p><p> Volkseigene Körper: Ostdeutscher Tanz seit 1945. Berlin: transcript Verlag, 2014. <a href=""><strong></strong></a></p><p> The Body of the People: East German Dance since 1945. Madison: University of Wisconsin Press, 2013. <a href=""><strong></strong></a></p><p>  </p><p><strong>Edited Collections:</strong></p><p> Routledge Dance Studies Reader. 3<sup>rd</sup> Edition. Eds. Jens Richard Giersdorf  and Yutian Wong. London: Routledge, forthcoming.</p><p> Choreographies of 21st Century Wars. Ed. Gay Morris and Jens Richard Giersdorf. New York: Oxford University Press, 2016.</p><p><a href=""><strong></strong></a></p><p> Special Issue: Randy Martin and Dance Studies, Co-edited with Mark Franko. Dance Research Journal. 48.3. (2016), (peer-reviewed journal).</p><p><a href=""><strong></strong></a></p><p><strong> </strong></p><p><strong>Articles in Edited Collections:<br/></strong></p><p> “(In)distinct Positions: The Politics of Theorizing Choreography” The Oxford Handbook of Dance and Reenactment. Ed. Mark Franko. New York: Oxford University Press, 2017.</p><p> “Patricio Bunster“ and “Gret Palucca” entries, Routledge Encyclopedia of Modernism. Eds. Janet O’Shea and Susan Manning (dance editors), Stephen Ross (general editor) London: Routledge, 2016.</p><p> “Is it OK to Dance on Graves? Modernism and Socialist Realism Revisited” The Oxford Handbook of Dance and Politics. Eds. Gerald Siegmund, Rebekah Kowal, and Randy Martin. New York: Oxford University Press, 2016.</p><p> “Immer hier und selten da: Die Politik der choreografierten Tanztheoretisierung als Zwischenraum” Heterotopien. Perspektiven der Intermedialen Ästhetik, Eds. Nadja Elia-Borer, Constanze Schellow, Nina Schimmel, Bettina Wodianka, Bielefeld: transcript Verlag, 2013, 575-592.</p><p> “Gli ‘studi di danza’ in alcune istituzioni accademiche straniere. Genealogia di una formazione disciplinare,” transl. Patrizia Veroli, La danza tra il pubblico e il privato, ed. Francesca Falcone, Rome: Aracne editrice S.r.l., 2013, 177-204.</p><p> “Moving against Disappearance: East German Bodies in Contemporary Choreography” New German Dance Studies, ed. Susan Manning and Lucia Ruprecht, Urbana: University of Illinois Press, 2012, 165-181.</p><p> “Tanzwissenschaft in höheren Bildungsinstitutionen: Eine Genealogie der Unterschiede.” Choreographie und Institution: Zeitgenössischer Tanz zwischen Ästhetik, Produktion und Vermittlung. Ed. Yvonne Hardt and Martin Stern, Bielefeld: transcript Verlag, 2011, 161-184.</p><p> “Dall’utopia all’archivio. Patricio Bunster e la funzione politica della coreografia” Ricor<em>danze</em>. Memoria in movimento e coreografie della storia. Ed. Susanne Franco and Marina Nordera. UTET Libreria, 2010, 361-374.</p><p> “Unpopulärer Tanz als Krise universeller Geschichtsschreibung oder Wie Yutian und ich lang anhaltenden Spaß mit unseriöser Historiographie hatten.” Original and Revival. Ed. Christina Thurner, Zurich: Chronos Verlag, 2010, 91-100.</p><p> “Dance Studies in the International Academy: Genealogy of a Disciplinary Formation.” The Routledge Dance Studies Reader. Ed. Alexandra Carter and Janet O’Shea, London: Routledge, 2010, 319-334.</p><p><strong> </strong></p><p><strong>Articles in Peer-Reviewed Journals:</strong></p><p> “<em>Trio A</em> Canonical” Dance Research Journal. 41.2. Winter (2009): 19-24.</p><p> “Dance Studies in the International Academy: Genealogy of a Disciplinary Formation” Dance Research Journal. 41.1. Summer (2009): 23-44.</p><p> “The Embodied City: Walking and Writing in the Urban Classroom.” co-authored with Cecilia Feilla and Magdalena Maczynska, Transformation: The Journal of Inclusive Scholarship and Pedagogy. XIX.1 (2008): 118-137.</p><p> “Why does Charlotte von Mahlsdorf Curtsy?: Representations of National Queerness in a Transvestite Hero.” GLQ Gay and Lesbian Quarterly 12.2 (2006): 171-96.</p><p> “Border Crossings and Intra-National Trespasses: East German Bodies in Sasha Waltz’s and Jo Fabian’s Choreographies.” Theater Journal 55.3 (2003): 413-32.</p><p> “’Hey, I Won’t Let You Destroy My History’: East German Dance Theater and the Politics of Restaging.” Maska, Slovenian Theater and Performance Journal. November 2003.</p><p>  </p><p><strong>Invited Speaker:</strong></p><p><em>Keynote:</em> “Choreographic Agency,” Violence of Inscription, HAU, Berlin, November 2017.</p><p> “The Politics of In-betweeness,” The Activist Body Symposium, Brown University, September 2017.</p><p> “Critical Moves: Tribute to Randy Martin,” Pratt Institute, March 2017.</p><p> “East German Dance as Affirmation and Resistance,” Dancing the Cold War Symposium, Harriman Institute, Columbia University, February 2017.</p><p> “Dance, Nationhood, and Theory,” Princeton University, March 2015.</p><p> “Not There: Trajal Harrell’s Physicalization of Dance Theoretical Positions,” Stockholm University, November 2014.</p><p><em>Keynote:</em> “Volkseigene Körper oder Warum ich 25 Jahre nach dem Fall der Mauer noch über ostdeutschen Tanz spreche,” Körper/Politik: Tanzformen, Institutionen und Akteure in der DDR, University of Leipzig, November 2014.</p><p> “Shifting Agencies of Folk,” Columbia Studies in Dance, Columbia University, October 2014.</p><p> “Modernism Revisited,” Dance Studies Colloquium, Temple University, October 2014.</p><p><em>Keynote</em> “Shifting Agencies of Folk Dance,” Folklore-Salon, Tanznacht 2014, Tanzfabrik Berlin, Juli 2014.</p><p> “(In)distinct Positions: The Politics of Theorizing Choreography” Re-enactment Conference, University of California, Santa Cruz, January 2013.</p><p> “Immer hier und selten da: Die Politik der choreographierten Tanztheoretisierung als Zwischenraum” ProDoc Jahrestagung Heterotopien. Intermediale und interdiskursive Reflexionen, Universities Basel and Bern, Basel, September 2012.</p><p> “Dancing Propaganda: Monumentalizing the (Un)Popular” co-presented with Yutian Wong, Back-Track Dance Lecture Series, University of California, Riverside, January 2010.</p><p> “Spectacles between Utopia and Melancholia” Embodiment of the Nation: Cultures of Exercise and Collective Emotions, University of Hamburg, Germany, May 2009.</p><p> “Unpopulärer Tanz als Krise universeller Geschichtsschreibung oder Wie Yutian und ich lang anhaltenden Spaß mit unseriöser Historiographie hatten.” Original and Revival: Geschichts-Schreibung im Tanz, University of Bern, Switzerland, November 2008.</p><p> Interview. Tanzrebellen: The New Dance Group. ARTE European TV Channel, broadcast in German and French, October 2008.</p><p> “Choreographies of Rebellion and Opposition in a National Context.” Centre National de la Danse, Paris, January 2008.</p><p><strong> </strong></p><p><strong>Grants and Fellowships:</strong></p><p> Lilian Karina Foundation, Sweden, Lilian Karina Grant, 2014.</p><p> National Endowment for the Art, American Masterpiece Grant, Project Director, 2010-2011.</p><p> Jacobs Pillow, Scholar in Residence Award, 2007.</p><p> DAAD Senior Academic Research Grant, Re-invitation Scheme (German Academic Exchange Service, German Government Agency), 2004.</p><p> British Academy Overseas Conference Grant, 2003, 2004.</p><p> Djerassi, Artists Residency Fellowship, Djerassi Foundation, 2002.</p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/75-bradley-herling"><img src="/live/image/gid/102/width/120/height/120/crop/1/src_region/537,175,1730,1369/14239_brad_herling__edit.rev.1478558312.jpg" alt="Bradley Herling" title="Bradley Herling" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/102/width/120/height/120/crop/1/src_region/537,175,1730,1369/14239_brad_herling__edit.rev.1478558312.jpg 2x, /live/image/scale/3x/gid/102/width/120/height/120/crop/1/src_region/537,175,1730,1369/14239_brad_herling__edit.rev.1478558312.jpg 3x" data-max-w="2048" data-max-h="1536"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/75-bradley-herling">Bradley Herling</a></div><div class="lw_profiles_13"><h5> Prof. Herling’s books</h5><p><a href="" target="_blank" rel="noopener noreferrer">The German <em>Gita</em>: Hermeneutics and Discipline in the German Reception of Indian Thought, 1778-1831</a></p><p><a href="">A Beginner’s Guide to the Study of Religion</a></p><p><a href="">Deliver Us From Evil</a></p><p>  </p><h5> Some of Prof. Herling’s work on-line</h5><p><a href="">Review essay on the nature of comparative philosophy</a></p><p><a href="">Presentation on suffering in comparative perspective</a></p><p><a href="">God, storms, and movies</a></p><p><a href="">Analysis and critique of just war theory</a></p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/67-erin-oconnor"><img src="/live/image/gid/177/width/120/height/120/crop/1/src_region/449,153,1637,1342/13952_erin_oconnor_edit.rev.1475537191.jpg" alt="Erin O’Connor" title="Erin O’Connor" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/177/width/120/height/120/crop/1/src_region/449,153,1637,1342/13952_erin_oconnor_edit.rev.1475537191.jpg 2x, /live/image/scale/3x/gid/177/width/120/height/120/crop/1/src_region/449,153,1637,1342/13952_erin_oconnor_edit.rev.1475537191.jpg 3x" data-max-w="2048" data-max-h="1365"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/67-erin-oconnor">Erin O’Connor</a></div><div class="lw_profiles_13"><div class="column"><p> 2017. “Touching Tacit Knowledge: handwork as ethnographic method in a glassblowing studio”. Qualitative Research 17(2), 217-230. </p><p> 2016. “The Prototype: Problem Work in the relationship between Designer, Artist, and Gaffer in Glassblowing” in <em>Craftwork as Problem Solving: Ethnographic Studies of Design and Making</em> (2016). Ed. Trevor Marchand. London: Ashgate. </p><p> 2016. “Inter- to Intracorporeality: The haptic hotshop heat of a glassblowing studio” in <em>Studio Studies: Operations, Topologies & Displacements</em>. Eds. Igancio Farias and Alex Wiley. London: Routledge. </p><p> 2012 “Cross Disciplinary Literacy in the Age of Apps and Mobile Devices,” with Rebecca Mushtare and Millie Burns, in Emerging Pedagogies for the New Millennium. Network: A Journal of Faculty Development ( </p><p> 2012 “Saber hecho carne: la experiencia dl sentido y la busqueda de expertise en el soplado de vidrio”” in Hacia una nueva sociología cultural: Mapas, dramas y prácticas. C. E. Benzecry (ed). Buenos Aires: Quilmes University Press.  </p></div><p> 2009 “The Act of Collaborative Creation and the Art of Integrative Creativity: Originality, Disciplinarity and Interdisciplinarity in Science.” Co-Authored with Diana Rhoten. Thesis Eleven (96(1)).<br/><br/> 2007 “The Centripetal Force of Expression: Drawing Embodied Histories into Glassblowing.” Qualitative Sociology Review, “Ethnographies of Artistic Work,” Edited by Howard Becker and Marie Buscatto.<br/><br/> 2007 “Hot Glass: The Calorific Imagination of Practice in Glassblowing.” In Craig Calhoun and Richard Sennett (eds.), Practicing Culture. London: Routledge.<br/><br/> 2007 “Embodied Knowledge in Glassblowing: meaning and the struggle towards proficiency (modified reprint).” In Chris Shilling (ed.), Embodying Sociology: Retrospect, Progress and Prospects, The Sociological Review Monograph.<br/><br/> 2006 “Glassblowing Tools: Extending the Body towards Practical Knowledge and Informing a Social World.” Qualitative Sociology, 29(2).<br/><br/> 2005 “Embodied Knowledge: Meaning and the Struggle Towards Proficiency in Glassblowing.” Ethnography 6(2).</p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/43-david-mold"><img src="/live/image/gid/95/width/120/height/120/crop/1/src_region/0,32,1000,1032/3896_mmc_13-09-09_003.rev.1453902034.jpg" alt="David Mold" title="David Mold" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/95/width/120/height/120/crop/1/src_region/0,32,1000,1032/3896_mmc_13-09-09_003.rev.1453902034.jpg 2x, /live/image/scale/3x/gid/95/width/120/height/120/crop/1/src_region/0,32,1000,1032/3896_mmc_13-09-09_003.rev.1453902034.jpg 3x" data-max-w="1000" data-max-h="1503"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/43-david-mold">David Mold</a></div><div class="lw_profiles_13"><p><strong>Presentations/Productions:</strong></p><p> Stage Director, <em>The Merchant of Venice, </em>Hip to Hip Theatre Company, 2015</p><p> Stage Director, <em>Pericles, </em>Marymount Manhattan College, 2015</p><p><em>Creative Acting Technique, </em>Chautauqua Institution, 2014</p><p><em>Understanding Drama, </em>Chautauqua Institution, 2014</p><p> Stage Director, <em>Cymbeline, </em>Hip to Hip Theatre Company, 2014</p><p> Stage Director, <em>Stage Door</em>, Marymount Manhattan College, 2013</p><p> Stage Director, <em>Love’s Labor’s Lost,</em> Hip to Hip Theatre Company, 2013 </p><p><em>Creative Acting Technique</em>, Chautauqua Institution, 2013</p><p> Stage Director, <em>Ruined, </em>Marymount Manhattan College, 2012</p><p> Stage Director, <em>Hamlet, Hip to Hip Theatre Company, </em>2012</p><p><em>Landing the Role, </em>Chautauqua Institution, 2012</p></div>
  • <span class="lw_profiles_image"><span class="lw_item_thumb"><a href="/live/profiles/366-dan-hunt"><img src="/live/image/gid/100/width/120/height/120/crop/1/src_region/0,0,1650,1352/2055_dhunt_headshot.rev.1472490805.jpg" alt="Dan Hunt" title="Dan Hunt" class="lw_image" width="120" height="120" srcset="/live/image/scale/2x/gid/100/width/120/height/120/crop/1/src_region/0,0,1650,1352/2055_dhunt_headshot.rev.1472490805.jpg 2x, /live/image/scale/3x/gid/100/width/120/height/120/crop/1/src_region/0,0,1650,1352/2055_dhunt_headshot.rev.1472490805.jpg 3x" data-max-w="1650" data-max-h="1352"/></a></span></span><div class="lw_profiles_name"><a href="/live/profiles/366-dan-hunt">Dan Hunt</a></div><div class="lw_profiles_13"><p class="p1"><span class="s1"><em>Assisted Living. </em> Director.  A fiction short exploring the intersection of dementia and dance through the story of elderly man.  2017 World Premier – Newport Beach International Film Festival.  Community Engagement Premier – NAPSA Conference Milwaukee, WI.</span></p><p><em>Mr. Angel.</em> Executive Producer/Director.  A feature length documentary chronicling the life of gender activist, educator, and pioneer Buck Angel.  2013 World Premier - South by Southwest (SXSW) Film Festival.  International Premier - Rio International Film Festival.   2012 NY State Council on the Arts Individual Artist Grant.  Featured at the 2011 IFP Documentary Showcase - Lincoln Center.  Distributed by Breaking Glass Pictures.  Best Documentary Seattle LGBT Film Festival.  Telly Award for Social Issue Documentary.</p><p><em>In the Life. </em>Executive Producer.  Award winning PBS series on LGBTQ issues.  2007 -2008.</p><p><em>BEAR RUN. </em>Executive Producer/Director.  Following four men over three years, this documentary explores body image and the subculture of men who identify as “bear.” Broadcast in 2008 launching LogoTV’s documentary series REAL MOMENTUM.  Distributed by PW Productions, LLC.  </p><p><em>Cruel and Unusual.</em> Producer/Director.  This feature-length documentary is a first look at the lives of transgender women incarcerated in men’s prisons through the lens of the 8<sup>th</sup> Amendment.  2006 World Premier - South by Southwest Film Festival.  2007 broadcast on Women’s Entertainment TV. Film won the Audience Award for Best Feature, NewFest; Jury Award for Best Documentary, Frameline; Freedom Award, Outfest; Best Documentary, Warsaw; Audience Award, Kingston and a Silver Telly Award for Social Issue Documentary. Hunt was awarded a Soros Media Fellowship and a NYSCA Individual Artist Grant for this project.  Distributed by Reid Productions LLC & Alluvial Filmworks.</p><p><em>Dangerous Living.</em> Supervising Producer.  This feature-length documentary examines “gay identity” in emerging nations by following the arrest, torture, and imprisonment of 52 men in Egypt as its central narrative.  The production won awards at Chicago, Hartford, and Barcelona film festivals and the Gold Aurora Award. <em>Dangerous Living</em> originally was broadcast on Logo in 2004, and screened in dozens of film festivals around the world. Produced by After Stonewall Productions, Inc.</p><p><em>Oliver Button is a STAR</em>.  PBS.  2002</p><p><em>After Stonewall</em>.  PBS.  2000.</p></div>