Sarah Lucie earned her Ph.D. in Theater and Performance from The Graduate Center, CUNY. Her research approaches contemporary performance through new materialism, eco-critical theory, and post-humanism. Lucie has contributed articles to Performance Research,Theatre Journal, and PAJ, as well as The Routledge Companion to Theatre and Politics (2019) and Machine Made Silence: The Art of Kris Verdonck (2020). She has taught classes in theatre history, play analysis, critical theory, and speech at Drew University, City College, and Baruch College. Sarah is also media editor of Performance Studies: An Introduction, 4th Edition, as well as assistant editor of TDR: The Drama Review.