II. Father Absence | Mother Ma
About
Father Absence | Mother Ma
Choreographer
Cameron McKinney
in collaboration with the dancers
Rehearsal Assistant
Isaac Martin Lerner
Music
I. Static Discos 100 by Murcof Fax
II. Father Absence Original Composition by Cameron McKinney
III. Kamui-Chikap Symphony, Op.40: V. Rainbow by Takashi Yoshimatsu
Soundscore mixed by Cameron McKinney
Costume Designer
Gabrielle Corrigan
Lighting Designer
Cheyenne Sykes
Father Absence | Mother Ma brings hyperphysical focus to the Japanese concept of ma, or the endless possibilities inherent in the empty spaces between objects and bodies - a view of nothingness that allows multiple interpretations of reality to exist simultaneously.
Performing May 4th, 6th at 8pm and May 13th at 2pm
Nick Camarero he/him Taniah McKinney she/her
Alex Ferrigan she/her Gianna Scorzo she/her
Gracie Laxton she/her Parker Ramirez they/them
Peyton Havens she/her Libby Dusek she/her
Kylie Mendoza she/her Sam Noto she/her
Dan Doran he/him Meena Jay she/her
Melissa Guerra she/her Lauren Aureus she/her
Anne Cassidy she/her Spencer Schofield he/him
EB Keime she/her Teagan Tillman he/him
Morgan Baker she/her Kate Gombar she/her
With more than 18 years of Japanese language study, Cameron McKinney created Kizuna Dance with the mission of using contemporary floorwork to create dance works for those who want to connect, and for those who feel we are all already connected, using both the similarities and divergences – linguistic, historical, aesthetic – between the American and Japanese cultures as primary drivers. He was selected as a 2019-20 U.S.-Japan Friendship Commission Creative Artist Fellow to collaborate with renowned Japanese choreographer Toru Shimazaki and present work in showcases in Japan. He has also been a Choreography Fellow at The School at Jacob’s Pillow, a Hearst Choreographer-in-Residence at Princeton University, an Alvin Ailey Foundation New Directions Choreography Lab Fellow, and an Asian Cultural Council Individual Grantee. His work has been supported through grants from the MidAtlantic Arts Foundation, the New York City Artists Corps, Brooklyn Arts Council, and the Rader Young Artists Foundation. Through Kizuna Dance, Cameron has also presented work and taught in twenty states and in Mexico, France, the UK, and in Japan at the U.S. Ambassador’s Residence. His commissions include The Ailey School, Marymount Manhattan College, Princeton University, Montclair University, twice from the Joffrey Ballet School, three times from the Let’s Dance International Frontiers Festival (UK), Slippery Rock University, The Dance Gallery Festival, Brigham Young University, and San Jose State University, among numerous others. His teaching credits include Adjunct & Visiting Lecturer positions at Princeton University, NYU Tisch, Montclair University, Bard College, and Queensborough Community College. He has taught on faculty at Gibney Dance since 2016, and has taught for festivals nationally and internationally. Each year, he organizes Kizuna Dance’s Open Intensive, a week of day-long intensives made entirely free for all participants, featuring high-quality dance education provided by the company artists of Kizuna Dance. https://www.cameronmckinneydance.com/